Chapter 11: The Tie That Binds July 1807
love poetry
I have tagged as “love poetry” any poetic expression written by a woman (or in a woman’s voice) to a woman that would be considered love poetry if written between an opposite sex couple.
LHMP entry
Chapter 9: Charity and Lydia 1806
Chapter 7: Never to Marry 1800
Chapter 5: So Many Friends 1799
Chapter 1: A Child of Melancholy 1777
Charity’s mother died of consumption shortly after Charity’s birth in 1777, in the middle of the Revolutionary War. She was the last of 10 children. Death haunted the family with three of Charity’s grandparents and her oldest brother also dying within the same 2-year period.
The book opens with a description of a pair of cut silhouettes, framed with a lock of hair and labeled with the names of the two women. There follows an overview of their lives (which are then covered in much more detail in the chapters). Both women had determined not to marry. Both came from large families, though of different character. They met in 1807 and set up a household together where the continued as an acknowledged couple for 44 years.
This chapter concerns Early Modern Ottoman, poetry, primarily about love, and primarily about love between men. This is not solely love of adolescent boys, but a wide array of male beloveds. Changes in cultural influences, especially westernization in the 19th century, reframed this dynamic as perverse. The focus of the article is Istanbul and relations between men, but one section of the article looks at female poets, and female same-sex topics.
As indicated in the chapter title, this section solely concerns relations between men.
Reading pre-modern literature in terms of gender and sexuality requires abandoning, modern sexual categories, even when continuities can be identified. The chapter begins with a review of major historians that shaped the study of medieval (homo)sexuality. It discusses the complicated structure of medieval, thinking around gender and sexuality. Discussion of specifics, primarily focuses on male homoerotic relations with brief nods to female relations.
This chapter is entirely male in focus. It includes both positive and negative depictions of male homoerotic relationships, and the social function of such commentary.
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