This chapter looks at depictions in bestiaries of supposedly non-binary animals like the hyena, and how their symbolism was used to bolster anti-Jewish sentiment in the 12th and 13th centuries. As this is tangential to the themes I’m interested in, I won’t summarize it in detail, but there is a motif of comparing men who become “womanized” to the sexually ambiguous hyena, invoking concepts of “uncleanness.”
Europe
Used when discussions cover a number of European topics, or discuss Europe in general. See also specific countries/regions.
LHMP entry
This chapter connects an interest in non-binary people with a wider interest in “monstrosity,” especially as attributed to foreign (i.e., non-Christian) lands. These images depicted the “hermaphrodites” in the half-and-half version, alongside other imagined beings, such as people with their faces on their chests. By connecting these non-binary figures to other types of “monstrous races,” they were dehumanized—not a natural variation of humanity, but something else entirely.
Christian theology of late antiquity promoted the idea of “primal androgyny,” that is, that human beings were created as androgynous beings (Adam before the separation of Eve) and that this non-binary state was the ideal state for humanity.
This concept fell from popularity around the 12-13th centuries, as androgyny became conflated with dual-bodied hermaphroditism and thus with monstrosity.
The introduction opens with an anecdote about a 14th century Catalan person assigned female, but whose husband petitioned for annulment because she was anatomically incapable of having sex as a woman, due to atypical genitals, including a penis, a very small vaginal opening, and other anomalies. The account doesn’t include any follow-up or any personal testimony from the woman. The crux of the argument was that she could not be categorized as a woman because she could not perform sexually as a woman.
This is a fairly superficial paper comparing differing approaches to assigning gender to intersex people within Christian and Islamic contexts in the pre-modern period. (It’s an undergraduate paper, so the lack of depth is understandable.)
This is a dissertation exploring gender non-conformity in its various expressions, not all of which are relevant to the Project. The author’s thesis, as noted in the abstract is that “the fragmented approach historians have previously taken when examining the lives of gender non-conforming individuals has been inadequate and could be improved by envisioning the individuals not as individual anomalies or aberrations, but as participants in a long cultural tradition of gender non-conformity and transgression throughout western Europe.”
This is a startlingly (I might say unexpectedly) excellent and comprehensive survey of lesbian-relevant history in Early Modern Europe. That actually makes it difficult to summarize (as well as difficult to tag, though I’ll give it my best shot). I think I’ll approach it by noting themes and topics, without necessarily trying to compose complete sentences.
This article is a survey of recent work in trans and intersex historical studies covering the medieval period. Wingard notes that these topics have only been seriously included in book-length studies since 2020, following something of a hiatus in queer medieval history publications in general since the early 2000s. This particular survey focuses on work that studies “lived experience” via documentary sources and non-fiction texts, rather than a broader scope that includes literary and artistic materials.
Reading pre-modern literature in terms of gender and sexuality requires abandoning, modern sexual categories, even when continuities can be identified. The chapter begins with a review of major historians that shaped the study of medieval (homo)sexuality. It discusses the complicated structure of medieval, thinking around gender and sexuality. Discussion of specifics, primarily focuses on male homoerotic relations with brief nods to female relations.
This chapter begins with a discussion of what is known about Sappho, her poetry, and her reputation among her contemporaries in ancient Greece. The tragically fragmentary nature of the written legacy of her work is traced, including the nine volume collection lost in the 9th century and the recovery of fragments of her work from papyrus sources in the late 19th and 20th centuries.
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